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Glue","/blog/software-development/unifying-artists-and-audiences-exploring-music-glue","blog/software-development/unifying-artists-and-audiences-exploring-music-glue",{"title":742,"path":743,"stem":744},"Why AI Will Defeat Traditional HR","/blog/software-development/warning-why-artificial-intelligence-will-defeat-traditional-hr","blog/software-development/warning-why-artificial-intelligence-will-defeat-traditional-hr",{"title":746,"path":747,"stem":748},"What is a Discovery Document?","/blog/software-development/what-is-discovery-document","blog/software-development/what-is-discovery-document",{"title":750,"path":751,"stem":752},"What is Flutter, and Why is it Worth Considering?","/blog/software-development/what-is-flutter-and-why-is-it-worth-considering","blog/software-development/what-is-flutter-and-why-is-it-worth-considering",{"title":754,"path":755,"stem":756},"What is a Watermarked Song?","/blog/software-development/what-is-watermarked-song","blog/software-development/what-is-watermarked-song",{"title":758,"path":759,"stem":760},"Choosing a Frontend Framework for the Web","/blog/software-development/which-framework-should-you-choose-for-the-frontend-web-platform-development","blog/software-development/which-framework-should-you-choose-for-the-frontend-web-platform-development",{"title":762,"path":763,"stem":764},"Why DAWs Are the Wrong Tool for Starting a Song","/blog/software-development/why-daws-wrong-tool-for-starting-song","blog/software-development/why-daws-wrong-tool-for-starting-song",{"title":766,"path":767,"stem":768},"Why the Programming World Loves Python","/blog/software-development/why-the-programming-world-loves-python","blog/software-development/why-the-programming-world-loves-python",{"title":770,"path":771,"stem":772},"Why We Don't Build Chat From Scratch (And Neither Should You)","/blog/software-development/why-we-dont-build-chat-from-scratch","blog/software-development/why-we-dont-build-chat-from-scratch",{"title":774,"path":775,"stem":776},"Why we use Sanity.io","/blog/software-development/why-we-use-sanity-io","blog/software-development/why-we-use-sanity-io",{"title":778,"path":779,"stem":780,"children":781,"page":69},"Sportstech","/blog/sportstech","blog/sportstech",[782,786],{"title":783,"path":784,"stem":785},"BeatBuddy Replay: Video Analysis App Challenges","/blog/sportstech/beatbuddy-replay-video-analysis-app-for-swimmers-flutter","blog/sportstech/beatbuddy-replay-video-analysis-app-for-swimmers-flutter",{"title":787,"path":788,"stem":789},"How to Create a Watch Face App for Garmin Watch","/blog/sportstech/how-to-create-watch-face-app-for-garmin-watch","blog/sportstech/how-to-create-watch-face-app-for-garmin-watch",{"id":791,"title":269,"authors":792,"badge":798,"body":801,"category":983,"client":984,"date":985,"description":986,"extension":987,"faq":984,"featured":988,"featuredOrder":989,"hidden":69,"image":990,"keyTakeaways":984,"meta":992,"navigation":988,"path":270,"seo":993,"status":984,"stem":271,"tags":994,"teaser":984,"__hash__":1003},"posts/blog/newsletter/musicjam-2026-musictech-poland-meetup-9.md",[793],{"name":794,"to":795,"avatar":796},"Anna Binkiewicz","https://www.linkedin.com/in/anna-binkiewicz/",{"src":797},"/images/people/anna-binkiewicz-400-400.webp",{"label":799,"color":800},"Partner Event","#7C3AED",{"type":802,"value":803,"toc":976},"minimark",[804,808,820,823,826,831,834,855,858,864,881,884,889,907,910,916,919,922,925,928,935,946,957,967,970,973],[805,806,269],"h1",{"id":807},"recap-musictech-poland-meetup-9-at-musicjam-2026",[809,810,811,812,819],"p",{},"On Friday, September 18, we hosted the 9th edition of the MusicTech Poland Meetup at the City Culture Institute (IKM) in Gdańsk, as part of ",[813,814,818],"a",{"href":815,"rel":816},"https://musicjam.pl/",[817],"nofollow","MusicJam 2026",".",[809,821,822],{},"MusicTech Lab was a partner of this year's MusicJam, together with MusicTech Poland. The meetup was organized and hosted by Maciej Dulski, who connects both initiatives.",[809,824,825],{},"It was a good opportunity to bring together people working across music, technology, audio, and the business side of the industry.",[827,828,830],"h3",{"id":829},"who-took-the-stage","Who took the stage?",[809,832,833],{},"We had three presentations covering very different parts of the music and technology landscape:",[809,835,836,837,851],{},"🎤 ",[838,839,840,845,846],"strong",{},[813,841,844],{"href":842,"rel":843},"https://www.linkedin.com/in/evelin-hetsko/",[817],"Evelin Hetsko",", ",[813,847,850],{"href":848,"rel":849},"https://www.studiofontana.com/",[817],"Studio Fontana",[852,853,854],"em",{},"Topic: \"Music on TV Is Not an Accident: The Business, Technology and Relationships Behind It\"",[809,856,857],{},"Evelin talked about what happens behind the scenes when music makes its way into TV productions, and how technology, business processes, licensing, and industry relationships all come together.",[809,859,860],{},[861,862],"img",{"alt":844,"src":863},"/images/blog/Meetup_9_Evelin_Hetsko.webp",[809,865,836,866,878],{},[838,867,868,845,873],{},[813,869,872],{"href":870,"rel":871},"https://www.linkedin.com/in/tomaszzernicki/",[817],"Tomasz Żernicki",[813,874,877],{"href":875,"rel":876},"http://my3daudio.com/",[817],"My3Daudio Ventures",[852,879,880],{},"Topic: \"Not just technology: How to scale an audio and deeptech startup\"",[809,882,883],{},"Tomek shared his experience of building and scaling companies at the intersection of audio and deeptech, with a focus on what changes when a product moves beyond the technology itself and into the business and growth stage.",[809,885,886],{},[861,887],{"alt":872,"src":888},"/images/blog/Meetup_9_Tomasz_Zernicki.webp",[809,890,836,891,904],{},[838,892,893,898,899],{},[813,894,897],{"href":895,"rel":896},"https://www.linkedin.com/in/david-iroko-201686270/",[817],"David Iroko"," and Aleksander Tym, ",[813,900,903],{"href":901,"rel":902},"https://closermusic.com/",[817],"Closer Music",[852,905,906],{},"Topic: \"From catalog to business. How to commercialize music in multiple ways. The Closer Music Story\"",[809,908,909],{},"David and Aleksander shared the Closer Music story and talked about building a business around a music catalog, combining music, technology, licensing, and different commercialization models.",[809,911,912],{},[861,913],{"alt":914,"src":915},"David Iroko, Aleksander Tym","/images/blog/Meetup_9_David_Iroko_Aleksander_Tym.webp",[809,917,918],{},"Each presentation was followed by a Q&A, with plenty of time for conversations and networking between the sessions.",[827,920,818],{"id":921},"musicjam-2026",[809,923,924],{},"The meetup was part of the wider MusicJam 2026 programme, which brought together music, technology, coding, and creative experimentation across several days.",[809,926,927],{},"The event started on Thursday with DJ workshops and synth building sessions with Mitch Altman.",[809,929,930,931,934],{},"The main hackathon then brought 11 teams together for 24 hours of experimentation at IKM. This year's theme was ",[838,932,933],{},"\"Music from the DNA of the sea\"",", with projects exploring different ways of connecting music, science, data, and technology.",[809,936,937,938,941,942,945],{},"In the tech project category, the ",[838,939,940],{},"\"Muszelki\""," team won with ",[838,943,944],{},"\"DNO\"",", an installation that used EMODnet sonar data and interactive elements to let the audience explore and play with representations of the Baltic Sea.",[809,947,948,949,952,953,956],{},"In the music track category, ",[838,950,951],{},"\"Vampyrotheutis Infernalis\""," won with ",[838,954,955],{},"\"Hippocampus.fasta\"",", translating DNA sequences of sea creatures into musical parameters.",[809,958,959,960,962,963,966],{},"The audience award was shared by ",[838,961,951],{}," and ",[838,964,965],{},"\"GODZIRA\""," by Def.",[809,968,969],{},"The programme ended on Sunday with a live performance by Mitch Altman and the awards ceremony.",[809,971,972],{},"Congratulations to all the participants and winners, and thanks to everyone who contributed to making MusicJam happen.",[809,974,975],{},"We were happy to be part of the event. See you next year!",{"title":977,"searchDepth":978,"depth":978,"links":979},"",2,[980,982],{"id":829,"depth":981,"text":830},3,{"id":921,"depth":981,"text":818},"newsletter",null,"2026-09-21T00:00:00.000Z","A recap of MusicTech Poland Meetup #9, held during MusicJam 2026 in Gdańsk, bringing together music, technology, audio, and the creative industries.","md",true,33,{"src":991},"/images/blog/MusicJam-MusicTech-Poland-MusicTech-Lab.webp",{},{"title":269,"description":986},[995,996,997,998,999,1000,1001,1002],"musictech","musictech-poland","musicjam","events","audio","music-industry","deeptech","startups","0Dcf69xxCB6jcqM2mn5zJFfgsGF01NAcB_NrLm3qS88",[1005,1007],{"title":265,"path":266,"stem":267,"description":1006,"children":-1},"Curated list of tech job openings in the music industry for September 2024. Find roles at music startups, labels, and streaming platforms.",{"title":273,"path":274,"stem":275,"description":1008,"children":-1},"Handpicked articles, updates, and insights from the fast-moving world of music and entertainment technology, curated just for you.",[1010,1586,1709,1851],{"id":1011,"title":297,"authors":1012,"badge":1018,"body":1021,"category":983,"client":984,"date":1575,"description":1008,"extension":987,"faq":984,"featured":988,"featuredOrder":989,"hidden":69,"image":1576,"keyTakeaways":984,"meta":1578,"navigation":988,"path":298,"seo":1579,"status":984,"stem":299,"tags":1580,"teaser":984,"__hash__":1584,"score":1585},"posts/blog/newsletter/musictech-insights-15-maciej-dulski.md",[1013],{"name":1014,"to":1015,"avatar":1016},"Maciej Dulski","https://www.linkedin.com/in/maciejdulski/",{"src":1017},"/images/cdn-migrated/maciej-dulski-400x400.webp",{"label":1019,"color":1020},"#15","#6B9B37",{"type":802,"value":1022,"toc":1561},[1023,1027,1034,1037,1040,1045,1050,1055,1060,1065,1070,1075,1077,1081,1086,1102,1107,1119,1121,1125,1130,1142,1147,1159,1161,1165,1170,1182,1187,1199,1201,1205,1210,1222,1227,1239,1241,1245,1250,1262,1267,1279,1281,1285,1290,1302,1307,1319,1321,1325,1330,1342,1347,1359,1361,1364,1367,1369,1373,1414,1417,1424,1429,1431,1435,1455,1464,1470,1472,1476,1484,1493,1499,1504,1506,1510,1519,1522,1525,1531,1533,1537,1545,1548,1554,1559],[805,1024,1026],{"id":1025},"musictech-insights-15-curated-by-maciej-dulski","MusicTech Insights #15 | Curated by Maciej Dulski",[809,1028,1029,1030,1033],{},"This issue is curated by ",[813,1031,1014],{"href":1015,"rel":1032},[817],", co-founder of MusicTech Lab, where he works with music companies and startups to build the technology behind their products.",[809,1035,1036],{},"In this edition, Maciej takes a look at some of the most interesting things happening across MusicTech right now, from the reality checks worth considering before building a product to five recent VC rounds showing where investors are putting their money.",[1038,1039],"hr",{},[809,1041,1042],{},[852,1043,1044],{},"Hi, I'm Maciej.",[809,1046,1047],{},[852,1048,1049],{},"I run a boutique software studio built for the music industry. As engineers, we love to think we're the smartest guys in the room, obsessing over complex catalog pipelines, rights databases, and audio architecture.",[809,1051,1052],{},[852,1053,1054],{},"The reality? The code is usually the easy part. The actual hard work is understanding where you genuinely are as a business and what you actually need from us right now.",[809,1056,1057],{},[852,1058,1059],{},"Building tech here is rarely just a software problem. It is an operational reality check.",[809,1061,1062],{},[852,1063,1064],{},"Most people think starting a software project means asking for a quick quote and a timeline. We don't work that way.",[809,1066,1067],{},[852,1068,1069],{},"Before we even talk about budgets, we qualify every project against our own framework. It's not about being picky. It's about avoiding projects destined for a slow, expensive death.",[809,1071,1072],{},[852,1073,1074],{},"Here are the 7 criteria we use to decide if we're a fit or if we'd both be wasting our time.",[1038,1076],{},[827,1078,1080],{"id":1079},"_1-established-music-company-vs-musictech-startup","1. Established Music Company vs. MusicTech Startup",[809,1082,1083],{},[838,1084,1085],{},"Established Music Company",[1087,1088,1089,1096],"ul",{},[1090,1091,1092,1095],"li",{},[838,1093,1094],{},"What we expect:"," Access to domain experts, clear documentation of internal processes, and patience during early security/compliance alignment.",[1090,1097,1098,1101],{},[838,1099,1100],{},"What we deliver:"," Risk-managed execution, robust API integrations, and legacy system modernization without breaking live business operations.",[809,1103,1104],{},[838,1105,1106],{},"MusicTech Startup",[1087,1108,1109,1114],{},[1090,1110,1111,1113],{},[838,1112,1094],{}," Fast decision-making, direct access to founders, and willingness to iterate based on technical reality.",[1090,1115,1116,1118],{},[838,1117,1100],{}," Extended CTO-level leadership, scalable system architecture, and a production-ready product built for speed to market.",[1038,1120],{},[827,1122,1124],{"id":1123},"_2-internal-tech-team-vs-no-internal-tech-team","2. Internal Tech Team vs. No Internal Tech Team",[809,1126,1127],{},[838,1128,1129],{},"Internal Tech Team Present",[1087,1131,1132,1137],{},[1090,1133,1134,1136],{},[838,1135,1094],{}," A dedicated tech lead on your side, established repo guidelines, and direct developer-to-developer communication.",[1090,1138,1139,1141],{},[838,1140,1100],{}," Specialized MusicTech engineering firepower, clean code handoffs, and friction-free integration with your current dev workflow.",[809,1143,1144],{},[838,1145,1146],{},"No Internal Tech Team",[1087,1148,1149,1154],{},[1090,1150,1151,1153],{},[838,1152,1094],{}," Full clarity on the business objective and a single point of contact available for weekly (or daily) reviews.",[1090,1155,1156,1158],{},[838,1157,1100],{}," Full end-to-end technical ownership, product strategy, and complete translation of business goals into functioning software.",[1038,1160],{},[827,1162,1164],{"id":1163},"_3-legacy-infrastructure-vs-greenfield","3. Legacy Infrastructure vs. Greenfield",[809,1166,1167],{},[838,1168,1169],{},"Legacy Infrastructure",[1087,1171,1172,1177],{},[1090,1173,1174,1176],{},[838,1175,1094],{}," Realistic expectations regarding technical debt, legacy data cleanup, and third-party API limitations.",[1090,1178,1179,1181],{},[838,1180,1100],{}," System orchestration, data normalization, and reliable middleware that unifies your fragmented tool stack.",[809,1183,1184],{},[838,1185,1186],{},"Greenfield",[1087,1188,1189,1194],{},[1090,1190,1191,1193],{},[838,1192,1094],{}," Alignment on core MVP features to prevent early scope bloat.",[1090,1195,1196,1198],{},[838,1197,1100],{}," Clean, modern codebase with zero technical debt, built to scale as your user base grows.",[1038,1200],{},[827,1202,1204],{"id":1203},"_4-single-decision-maker-vs-committee-approval","4. Single Decision Maker vs. Committee Approval",[809,1206,1207],{},[838,1208,1209],{},"Single Decision Maker",[1087,1211,1212,1217],{},[1090,1213,1214,1216],{},[838,1215,1094],{}," Rapid feedback on architecture proposals and firm authorization to pivot when needed.",[1090,1218,1219,1221],{},[838,1220,1100],{}," Maximum development velocity, short sprints, and rapid production deployments.",[809,1223,1224],{},[838,1225,1226],{},"Committee / Multi-Stakeholder Setup",[1087,1228,1229,1234],{},[1090,1230,1231,1233],{},[838,1232,1094],{}," A designated Project Owner authorized to consolidate internal feedback and make final calls.",[1090,1235,1236,1238],{},[838,1237,1100],{}," Structured milestone roadmaps, executive-level technical reporting, and clear scope boundary management.",[1038,1240],{},[827,1242,1244],{"id":1243},"_5-problem-driven-vs-solution-driven","5. Problem-Driven vs. Solution-Driven",[809,1246,1247],{},[838,1248,1249],{},"Problem-Driven (“Our royalty calculations take 3 weeks”)",[1087,1251,1252,1257],{},[1090,1253,1254,1256],{},[838,1255,1094],{}," Openness to technical discovery and willingness to solve the root cause rather than the surface symptom.",[1090,1258,1259,1261],{},[838,1260,1100],{}," Deep workflow analysis, automated backend processing pipelines, and scalable architectural solutions.",[809,1263,1264],{},[838,1265,1266],{},"Solution-Driven (“Build us this exact dashboard”)",[1087,1268,1269,1274],{},[1090,1270,1271,1273],{},[838,1272,1094],{}," Validated user research or business rationale supporting the pre-defined specification.",[1090,1275,1276,1278],{},[838,1277,1100],{}," Precise execution against spec, optimized UI/UX engineering, and performance auditing.",[1038,1280],{},[827,1282,1284],{"id":1283},"_6-data-rich-vs-data-poor","6. Data-Rich vs. Data-Poor",[809,1286,1287],{},[838,1288,1289],{},"Data-Rich (Catalogs, Rights, Metadata)",[1087,1291,1292,1297],{},[1090,1293,1294,1296],{},[838,1295,1094],{}," Access to sample data sets early in the discovery phase and clear rules on data governance.",[1090,1298,1299,1301],{},[838,1300,1100],{}," High-throughput ingestion pipelines, metadata cleaning, and automated reconciliation systems.",[809,1303,1304],{},[838,1305,1306],{},"Data-Poor (New Concepts)",[1087,1308,1309,1314],{},[1090,1310,1311,1313],{},[838,1312,1094],{}," Focus on early user acquisition rather than prematurely optimizing for hypothetical millions of rows.",[1090,1315,1316,1318],{},[838,1317,1100],{}," Lean data models, fast API responses, and cost-effective cloud infrastructure ready to scale on demand.",[1038,1320],{},[827,1322,1324],{"id":1323},"_7-one-off-build-vs-long-term-tech-partner","7. One-Off Build vs. Long-Term Tech Partner",[809,1326,1327],{},[838,1328,1329],{},"One-Off Project",[1087,1331,1332,1337],{},[1090,1333,1334,1336],{},[838,1335,1094],{}," Frozen project scope, strict acceptance criteria, and an internal plan for post-launch maintenance.",[1090,1338,1339,1341],{},[838,1340,1100],{}," On-time milestone delivery, comprehensive technical documentation, and structured codebase handoff.",[809,1343,1344],{},[838,1345,1346],{},"Long-Term Tech Partnership",[1087,1348,1349,1354],{},[1090,1350,1351,1353],{},[838,1352,1094],{}," Ongoing strategic alignment, open roadmap discussions, and collaborative prioritization.",[1090,1355,1356,1358],{},[838,1357,1100],{}," Continuous architectural optimization, proactive technical advisory, and a dedicated team that knows your domain inside out.",[1038,1360],{},[809,1362,1363],{},"Knowing where you stand across these 7 dimensions is what makes a technical partnership succeed from day one.",[809,1365,1366],{},"And while we're talking about what it takes to build in MusicTech, it's also worth looking at where the money is going. Here are 5 recent VC bets that caught my attention.",[1038,1368],{},[827,1370,1372],{"id":1371},"former-spotify-innovation-lead-raises-55m-for-a-new-kind-of-music-app-september-2026","Former Spotify innovation lead raises $5.5M for a new kind of music app (September 2026)",[809,1374,1375,1380,1381,1386,1387,845,1392,845,1397,845,1402,1407,1408,1413],{},[813,1376,1379],{"href":1377,"rel":1378},"https://www.linkedin.com/in/mashanzonoozy",[817],"MÁSHAN M ZONOOZY",", former Head of Innovation at Spotify, has raised $5.5M in pre-seed funding for a ",[813,1382,1385],{"href":1383,"rel":1384},"https://www.shibuyaaa.com/",[817],"vinyl bar in Shibuya",", a startup building playful music apps that let users interact with, remix, and manipulate music rather than simply consume it. The round includes ",[813,1388,1391],{"href":1389,"rel":1390},"https://www.mantisvc.com/",[817],"Mantis Venture Capital",[813,1393,1396],{"href":1394,"rel":1395},"https://svangel.com/",[817],"SV Angel",[813,1398,1401],{"href":1399,"rel":1400},"https://www.boxgroup.com/",[817],"BoxGroup",[813,1403,1406],{"href":1404,"rel":1405},"https://quietcap.com/",[817],"Quiet Capital",", and several other investors, with former Spotify executive ",[813,1409,1412],{"href":1410,"rel":1411},"https://www.linkedin.com/in/dawn-ostroff/",[817],"Dawn Ostroff"," joining as an advisor.",[809,1415,1416],{},"What makes the bet interesting is the product thesis: rather than building yet another AI music generator, the company is exploring participation and interaction as the next layer of the music experience — releasing small experimental products as \"singles\" while working toward a larger consumer music app.",[809,1418,1419],{},[813,1420,1423],{"href":1421,"rel":1422},"https://techcrunch.com/2026/09/14/a-vinyl-bar-in-shibuya-is-a-startup-offering-fun-music-apps/",[817],"Learn more",[809,1425,1426],{},[861,1427],{"alt":1385,"src":1428},"/images/blog/MusicTech-Insights-15-screenshot-1.webp",[1038,1430],{},[827,1432,1434],{"id":1433},"soundtrap-raises-36m-at-a-415m-valuation-september-2026","Soundtrap raises €3.6M at a €41.5M valuation (September 2026)",[809,1436,1437,1442,1443,1448,1449,1454],{},[813,1438,1441],{"href":1439,"rel":1440},"https://www.soundtrap.com/",[817],"Soundtrap",", the online music and podcast studio, has raised around €3.6M at a €41.5M valuation, with ",[813,1444,1447],{"href":1445,"rel":1446},"https://www.industrifonden.com/",[817],"Industrifonden"," leading the round. The interesting part? Industrifonden was already a shareholder before ",[813,1450,1453],{"href":1451,"rel":1452},"https://www.spotify.com/",[817],"Spotify"," acquired Soundtrap in 2017.",[809,1456,1457,1458,1463],{},"Even more interesting: Soundtrap reportedly made around €1.5M in operating profit in 2025. So this isn't exactly a startup burning cash to chase growth. As CEO ",[813,1459,1462],{"href":1460,"rel":1461},"https://www.linkedin.com/in/peremanuelsson/",[817],"Per Emanuelsson"," puts it, they're now entering a \"new investment phase\". I like this one.",[809,1465,1466],{},[813,1467,1423],{"href":1468,"rel":1469},"https://www.breakit.se/artikel/47341/spotify-avknoppningen-soundtrap-tar-in-40-miljoner-narmar-sig-vinst",[817],[1038,1471],{},[827,1473,1475],{"id":1474},"fish-audio-raises-52m-in-seed-funding-after-just-one-year-july-2026","Fish Audio raises $52M in seed funding after just one year (July 2026)",[809,1477,1478,1483],{},[813,1479,1482],{"href":1480,"rel":1481},"https://fish.audio/",[817],"Fish Audio"," has raised $52M in seed funding, just one year after starting as a hobby project on a single RTX 4090. In that year, the company says it reached $21M in ARR, 8M+ users and a team of 22 people.",[809,1485,1486,1487,1492],{},"The obvious comparison is ",[813,1488,1491],{"href":1489,"rel":1490},"https://elevenlabs.io/",[817],"ElevenLabs",". Fish Audio is going after the same voice AI market, but its pitch is heavily focused on expressiveness and natural delivery, not just getting the words right. $52M at this stage is a pretty loud signal that investors see voice AI becoming a much bigger layer of the tech stack.",[809,1494,1495],{},[813,1496,1423],{"href":1497,"rel":1498},"https://fish.audio/blog/fish-audio-52m-seed-funding/",[817],[809,1500,1501],{},[861,1502],{"alt":1482,"src":1503},"/images/blog/MusicTech-Insights-15-screenshot-2.webp",[1038,1505],{},[827,1507,1509],{"id":1508},"tickets-for-good-raises-45m-to-take-surplus-tickets-global-september-2026","Tickets for Good raises €4.5M to take surplus tickets global (September 2026)",[809,1511,1512,1513,1518],{},"UK startup ",[813,1514,1517],{"href":1515,"rel":1516},"https://ticketsforgood.org/",[817],"Tickets for Good"," has raised €4.5M to expand internationally. The platform connects surplus event tickets with NHS workers, teachers, charity staff and others who might otherwise struggle to afford live events.",[809,1520,1521],{},"The numbers are already pretty serious: 750,000 verified members and 1.25M tickets distributed. Robbie Williams is also an ambassador.",[809,1523,1524],{},"I like this one because it's a pretty clear win-win: venues fill empty seats, fans get access to events, and the platform gets a scalable business around it. Simple idea, surprisingly big opportunity.",[809,1526,1527],{},[813,1528,1423],{"href":1529,"rel":1530},"https://www.eu-startups.com/2026/09/robbie-williams-backed-tickets-for-good-raises-e4-5-million-for-international-expansion/",[817],[1038,1532],{},[827,1534,1536],{"id":1535},"quantizr-raises-5m-for-ai-powered-live-music-finance-august-2026","Quantizr raises $5M for AI-powered live music finance (August 2026)",[809,1538,1539,1544],{},[813,1540,1543],{"href":1541,"rel":1542},"https://quantizr.com/",[817],"Quantizr"," has raised $5M in seed funding to build AI tools for the financial and operational side of live music. It pulls data from offers, contracts, budgets, expenses and settlement statements, then turns that mess into something teams can actually analyse.",[809,1546,1547],{},"This is the kind of MusicTech I find particularly interesting. It's not trying to make another AI musician. It's taking one of the least glamorous parts of the industry and making it less painful. With clients including C3 Management, Ground Control and Underscore Talent already on board, there seems to be a real problem here to solve.",[809,1549,1550],{},[813,1551,1423],{"href":1552,"rel":1553},"https://musically.com/2026/08/20/quantizr-raises-5m-for-its-ai-finance-tools-for-live-music/",[817],[809,1555,1556],{},[861,1557],{"alt":1543,"src":1558},"/images/blog/MusicTech-Insights-15-screenshot-3.webp",[1038,1560],{},{"title":977,"searchDepth":978,"depth":978,"links":1562},[1563,1564,1565,1566,1567,1568,1569,1570,1571,1572,1573,1574],{"id":1079,"depth":981,"text":1080},{"id":1123,"depth":981,"text":1124},{"id":1163,"depth":981,"text":1164},{"id":1203,"depth":981,"text":1204},{"id":1243,"depth":981,"text":1244},{"id":1283,"depth":981,"text":1284},{"id":1323,"depth":981,"text":1324},{"id":1371,"depth":981,"text":1372},{"id":1433,"depth":981,"text":1434},{"id":1474,"depth":981,"text":1475},{"id":1508,"depth":981,"text":1509},{"id":1535,"depth":981,"text":1536},"2026-09-17T00:00:00.000Z",{"src":1577},"/images/blog/musictech-insights-15-maciej-dulski.webp",{},{"title":297,"description":1008},[983,995,1002,1581,1582,1583],"venture capital","product development","software engineering","MBsNy3oZtSihl092zCdkj99Z25az355LJRefQbc__wo",4,{"id":1587,"title":209,"authors":1588,"badge":1591,"body":1594,"category":983,"client":984,"date":1695,"description":1696,"extension":987,"faq":984,"featured":988,"featuredOrder":989,"hidden":69,"image":1697,"keyTakeaways":984,"meta":1699,"navigation":988,"path":210,"seo":1700,"status":984,"stem":211,"tags":1701,"teaser":984,"__hash__":1708,"score":1585},"posts/blog/newsletter/audio-products-podcast-maciej-dulski.md",[1589],{"name":794,"to":795,"avatar":1590},{"src":797},{"label":1592,"color":1593},"Partner Podcast","#0BA5E9",{"type":802,"value":1595,"toc":1689},[1596,1600,1614,1617,1620,1625,1642,1646,1656,1660,1669,1673,1686],[805,1597,1599],{"id":1598},"maciej-dulski-on-audio-products-podcast","Maciej Dulski on Audio Products Podcast",[809,1601,1602,1603,1608,1609,819],{},"Our co-founder Maciej Dulski talked with ",[813,1604,1607],{"href":1605,"rel":1606},"https://www.linkedin.com/in/wojciechozimek/",[817],"Wojciech Ozimek"," on the ",[813,1610,1613],{"href":1611,"rel":1612},"https://audioproductacademy.com/podcast/",[817],"Audio Products Podcast",[809,1615,1616],{},"If you're not familiar with the show, Wojciech chats with founders and product leaders about how tech, AI, and product strategy actually shape modern digital products.",[809,1618,1619],{},"They ended up covering a lot of ground—from why tracking content provenance matters way more than just detecting AI, to how messy, fragmented metadata is directly holding back artist payouts. Maciej also shared a behind-the-scenes look at how we approach software and AI at MusicTech Lab, plus his honest take on what separates music-tech startups that actually get traction from the ones that get stuck as cool demos.",[1621,1622,1624],"h2",{"id":1623},"a-few-topics-from-the-episode","A few topics from the episode",[1087,1626,1627,1630,1633,1636,1639],{},[1090,1628,1629],{},"Why content provenance is replacing AI detection as a core challenge",[1090,1631,1632],{},"How software can solve fragmented metadata and stuck royalty flows",[1090,1634,1635],{},"What separates music-tech startups with real traction from mere demos",[1090,1637,1638],{},"How to approach fundraising and pitching as a music-tech founder",[1090,1640,1641],{},"Why generalist investors matter and why \"music-tech\" isn't a moat on its own",[1621,1643,1645],{"id":1644},"watch-on-youtube","Watch on YouTube",[1647,1648],"iframe",{"width":1649,"height":1650,"src":1651,"title":1652,"frameBorder":1653,"allow":1654,"referrerPolicy":1655,"allowFullScreen":988},560,315,"https://www.youtube.com/embed/rlb-lwOE700?si=h4YvBOLPRvchoxUi","YouTube video player","0","accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share","strict-origin-when-cross-origin",[1621,1657,1659],{"id":1658},"listen-on-spotify","Listen on Spotify",[1647,1661],{"dataTestid":1662,"style":1663,"src":1664,"width":1665,"height":1666,"frameBorder":1653,"allowFullScreen":988,"allow":1667,"loading":1668},"embed-iframe","border-radius:12px","https://open.spotify.com/embed/episode/7cNA9NYy9ZQ9SvIU1XvcoO?utm_source=generator&theme=0&si=a403a9c2b5384f34","100%",352,"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture","lazy",[1621,1670,1672],{"id":1671},"listen-on-apple-podcasts","Listen on Apple Podcasts",[1647,1674],{"allow":1675,"frameBorder":1653,"height":1676,"style":1677,"sandbox":1678,"src":1685},"autoplay *; encrypted-media *; fullscreen *; clipboard-write",175,"width:100%;max-width:660px;overflow:hidden;border-radius:10px;",[1679,1680,1681,1682,1683,1684],"allow-forms","allow-popups","allow-same-origin","allow-scripts","allow-storage-access-by-user-activation","allow-top-navigation-by-user-activation","https://embed.podcasts.apple.com/us/podcast/35-what-musictech-can-solve-and-what-it-cant/id1819468904?i=1000779732863",[809,1687,1688],{},"Enjoy the episode.",{"title":977,"searchDepth":978,"depth":978,"links":1690},[1691,1692,1693,1694],{"id":1623,"depth":978,"text":1624},{"id":1644,"depth":978,"text":1645},{"id":1658,"depth":978,"text":1659},{"id":1671,"depth":978,"text":1672},"2026-08-03T00:00:00.000Z","Recommended podcasts, interviews, and expert conversations covering music technology, the creative industries, AI, product development, and the future of entertainment.",{"src":1698},"/images/blog/audio-product-podcast-maciej-dulski.webp",{},{"title":209,"description":1696},[1702,995,1703,1704,1705,1706,1002,1707],"podcast","provenance","metadata","ai","musicdata","fundraising","2x4PMHHMmHU6Fo7zs-3ycmdhx9qfkTF-XiCAbtspxD8",{"id":1710,"title":349,"authors":1711,"badge":1714,"body":1715,"category":983,"client":984,"date":1827,"description":1828,"extension":987,"faq":984,"featured":69,"featuredOrder":984,"hidden":69,"image":1829,"keyTakeaways":1831,"meta":1842,"navigation":988,"path":350,"seo":1843,"status":984,"stem":351,"tags":1844,"teaser":984,"__hash__":1850,"score":1585},"posts/blog/newsletter/sound-connections-podcast-maciej-dulski.md",[1712],{"name":794,"to":795,"avatar":1713},{"src":797},{"label":1592,"color":1593},{"type":802,"value":1716,"toc":1821},[1717,1726,1729,1733,1759,1763,1766,1772,1774,1777,1781,1803],[809,1718,1719,1720,1725],{},"Maciej Dulski, co-founder and Partner at MusicTech Lab, sat down with the ",[813,1721,1724],{"href":1722,"rel":1723},"https://www.youtube.com/@SoundConnectionsPodcast",[817],"Sound Connections Podcast"," for a 39-minute conversation about the real challenges of building technology for the music industry.",[809,1727,1728],{},"The episode covers a lot of ground — from how MusicTech Lab got started, to why financing music tech startups is harder than it looks, to where AI fits into music production today.",[1621,1730,1732],{"id":1731},"episode-highlights","Episode Highlights",[1734,1735,1742,1747,1751,1755],"div",{"className":1736},[1737,1738,1739,1740,1741],"grid","grid-cols-1","md:grid-cols-2","gap-4","my-8",[1743,1744],"spotlight-card",{"description":1745,"title":1746},"How the team went from a general software house to a company focused entirely on music tech, and what that shift looked like in practice.","The MusicTech Lab Journey",[1743,1748],{"description":1749,"title":1750},"Why music tech startups struggle to raise money compared to other verticals, and what investors often misunderstand about the space.","Financing Challenges",[1743,1752],{"description":1753,"title":1754},"A grounded take on what AI can actually do for artists and producers right now, beyond the hype cycle.","AI in Music Production",[1743,1756],{"description":1757,"title":1758},"How MusicTech Lab works with early-stage founders to turn ideas into working products, and what patterns they see across projects.","Supporting Creativity in Startups",[1621,1760,1762],{"id":1761},"why-this-matters","Why This Matters",[809,1764,1765],{},"Music tech sits at a tricky intersection. The technology moves fast, but the industry itself — labels, publishers, collecting societies — often moves slow. Maciej talks openly about navigating that gap: building tools that solve real problems for artists and businesses, without pretending that technology alone fixes everything.",[1767,1768,1769],"note",{},[809,1770,1771],{},"If you work in music tech, plan to build something in the space, or just want an honest look at what it takes — this episode is worth your time.",[1621,1773,1645],{"id":1644},[1647,1775],{"width":1649,"height":1650,"src":1776,"title":1652,"frameBorder":1653,"allow":1654,"referrerPolicy":1655,"allowFullScreen":988},"https://www.youtube.com/embed/W8a2eIXiV7M?si=jk3wZsHIlDfmhwtz",[1621,1778,1780],{"id":1779},"listen-now","Listen Now",[1734,1782,1787,1795,1799],{"className":1783},[1784,1785,1786,1741],"flex","flex-wrap","gap-3",[1788,1789],"u-button",{"color":1790,"label":1791,"target":1792,"to":1793,"variant":1794},"primary","YouTube","_blank","https://www.youtube.com/watch?v=W8a2eIXiV7M","subtle",[1788,1796],{"color":1797,"label":1453,"target":1792,"to":1798,"variant":1794},"neutral","https://open.spotify.com/episode/5JtyJMpr59woMLV1TZL2sa?si=ZLRPSO33TySDQEkxF_DyfQ",[1788,1800],{"color":1797,"label":1801,"target":1792,"to":1802,"variant":1794},"Apple Podcasts","https://podcasts.apple.com/us/podcast/089-expert-maciej-dulski-the-story-behind-musictech-lab/id1703036367?i=1000683274157",[1804,1805,1806],"tip",{},[809,1807,1808,1809,1814,1815,1820],{},"This episode is sponsored by ",[813,1810,1813],{"href":1811,"rel":1812},"https://www.allfeat.com/",[817],"Allfeat"," — decentralized blockchain solutions for the music industry. Produced by ",[813,1816,1819],{"href":1817,"rel":1818},"https://amplitude.ventures/",[817],"Amplitude Ventures Consulting"," — partners in early-stage music tech.",{"title":977,"searchDepth":978,"depth":978,"links":1822},[1823,1824,1825,1826],{"id":1731,"depth":978,"text":1732},{"id":1761,"depth":978,"text":1762},{"id":1644,"depth":978,"text":1645},{"id":1779,"depth":978,"text":1780},"2025-02-03T00:00:00.000Z","Maciej Dulski from MusicTech Lab discusses the evolving music tech landscape, its impact on artists, and how technology is reshaping the industry.",{"src":1830},"/images/blog/musictechlab_blog_from-startups-to-musictech-maciej-dulski-on-sound-connections-podcast.webp",{"enabled":988,"items":1832},[1833,1836,1839],{"text":1834,"icon":1835},"Maciej Dulski shares how MusicTech Lab shifted from a general software house to music tech.","i-lucide-headphones",{"text":1837,"icon":1838},"Music tech startups struggle to raise money compared to other verticals.","i-lucide-dollar-sign",{"text":1840,"icon":1841},"AI in music production has real applications today, but the hype outpaces current capabilities.","i-lucide-brain",{},{"title":349,"description":1828},[1702,995,1845,1846,1847,1848,1002,1849],"music data","music industry","software development","ai music","building software","PDt-yjbS_9yinmw9WSqKFAF5bFH_WjQ0qY58tvKObWI",{"id":1852,"title":357,"authors":1853,"badge":1856,"body":1857,"category":983,"client":984,"date":1926,"description":1696,"extension":987,"faq":984,"featured":988,"featuredOrder":1927,"hidden":69,"image":1928,"keyTakeaways":984,"meta":1930,"navigation":988,"path":358,"seo":1931,"status":984,"stem":359,"tags":1932,"teaser":984,"__hash__":1934,"score":981},"posts/blog/newsletter/zrobcie-halas-podcast-maciej-dulski.md",[1854],{"name":794,"to":795,"avatar":1855},{"src":797},{"label":1592,"color":1593},{"type":802,"value":1858,"toc":1922},[1859,1863,1878,1884,1887,1890,1893,1895,1915,1917,1920],[805,1860,1862],{"id":1861},"maciej-dulski-on-zróbcie-hałas-podcast","Maciej Dulski on Zróbcie Hałas Podcast",[809,1864,1865,1866,1871,1872,1877],{},"We're excited to share a new episode of the Zróbcie Hałas podcast, where our co-founder, Maciej Dulski, joined the conversation with ",[813,1867,1870],{"href":1868,"rel":1869},"https://www.linkedin.com/in/jarek-krawczyk/",[817],"Jarek Krawczyk",", CEO of ",[813,1873,1876],{"href":1874,"rel":1875},"https://www.bandagency.pl/",[817],"Band Agency"," and host of the podcast.",[809,1879,1880,1883],{},[838,1881,1882],{},"Please note:"," Zróbcie Hałas is a Polish podcast exploring the music industry, and the people shaping the future of music. The episode is in Polish.",[809,1885,1886],{},"The conversation takes a closer look at how technology is becoming an increasingly important part of the music industry. Maciej and Jarek discuss the growing role of data and AI, how technology can address concrete challenges faced by music companies, and what MusicTech Lab is building for the industry.",[809,1888,1889],{},"They also explore the huge amount of data generated by music streaming platforms. What can we actually measure? How should we interpret streaming numbers? And can data really tell us what people are listening to, or does it only show one part of a much more complex story?",[809,1891,1892],{},"Maciej also shares his perspective on building MusicTech Lab and MusicTech Poland, and on how the relationship between music and technology may evolve in the coming years.",[1621,1894,1624],{"id":1623},[1087,1896,1897,1900,1903,1906,1909,1912],{},[1090,1898,1899],{},"How the music industry and IT sector can work together",[1090,1901,1902],{},"MusicTech Lab projects and technology built for the music industry",[1090,1904,1905],{},"Streaming data and measuring artist popularity",[1090,1907,1908],{},"How to interpret music data and avoid misleading conclusions",[1090,1910,1911],{},"The role of AI in the music industry",[1090,1913,1914],{},"The development of MusicTech Poland and the future of MusicTech",[1621,1916,1645],{"id":1644},[1647,1918],{"width":1649,"height":1650,"src":1919,"title":1652,"frameBorder":1653,"allow":1654,"referrerPolicy":1655,"allowFullScreen":988},"https://www.youtube.com/embed/zfFX4UOqzHk?si=q3pB6S_DYtWfdGNS",[809,1921,1688],{},{"title":977,"searchDepth":978,"depth":978,"links":1923},[1924,1925],{"id":1623,"depth":978,"text":1624},{"id":1644,"depth":978,"text":1645},"2026-09-09T00:00:00.000Z",34,{"src":1929},"/images/blog/zrobcie-halas-podcast-maciej-dulski-1.webp",{},{"title":357,"description":1696},[1702,995,1845,1846,1848,1933],"music innovation","-uXuer_1_oKbEOqn368nvvUkoYEgXKTth5x7pxQ465w",1789990175738]