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Song?","/blog/software-development/what-is-watermarked-song","blog/software-development/what-is-watermarked-song",{"title":746,"path":747,"stem":748},"Choosing a Frontend Framework for the Web","/blog/software-development/which-framework-should-you-choose-for-the-frontend-web-platform-development","blog/software-development/which-framework-should-you-choose-for-the-frontend-web-platform-development",{"title":750,"path":751,"stem":752},"Why DAWs Are the Wrong Tool for Starting a Song","/blog/software-development/why-daws-wrong-tool-for-starting-song","blog/software-development/why-daws-wrong-tool-for-starting-song",{"title":754,"path":755,"stem":756},"Why the Programming World Loves Python","/blog/software-development/why-the-programming-world-loves-python","blog/software-development/why-the-programming-world-loves-python",{"title":758,"path":759,"stem":760},"Why We Don't Build Chat From Scratch (And Neither Should You)","/blog/software-development/why-we-dont-build-chat-from-scratch","blog/software-development/why-we-dont-build-chat-from-scratch",{"title":762,"path":763,"stem":764},"Why we use Sanity.io","/blog/software-development/why-we-use-sanity-io","blog/software-development/why-we-use-sanity-io",{"title":766,"path":767,"stem":768,"children":769,"page":69},"Sportstech","/blog/sportstech","blog/sportstech",[770,774],{"title":771,"path":772,"stem":773},"BeatBuddy Replay: Video Analysis App Challenges","/blog/sportstech/beatbuddy-replay-video-analysis-app-for-swimmers-flutter","blog/sportstech/beatbuddy-replay-video-analysis-app-for-swimmers-flutter",{"title":775,"path":776,"stem":777},"How to Create a Watch Face App for Garmin Watch","/blog/sportstech/how-to-create-watch-face-app-for-garmin-watch","blog/sportstech/how-to-create-watch-face-app-for-garmin-watch",{"id":779,"title":337,"authors":780,"badge":786,"body":789,"category":916,"client":917,"date":918,"description":919,"extension":920,"faq":917,"featured":884,"featuredOrder":921,"hidden":69,"image":922,"keyTakeaways":917,"meta":924,"navigation":884,"path":338,"seo":925,"status":917,"stem":339,"tags":926,"teaser":917,"__hash__":934},"posts/blog/newsletter/musictech-insights-mudder-fracas-podcast-007.md",[781],{"name":782,"to":783,"avatar":784},"Yaw Asamani","https://www.linkedin.com/in/yawasamani/",{"src":785},"/images/partners/musictechlab_partners_yaw_asamani.webp",{"label":787,"color":788},"Partner Podcast","#0BA5E9",{"type":790,"value":791,"toc":908},"minimark",[792,797,809,834,837,840,845,870,874,885,889,898,902,905],[793,794,796],"h1",{"id":795},"mudder-fracas-podcast-ep007","Mudder Fracas PODCAST EP007",[798,799,800,801,808],"p",{},"We're happy to share the latest episode of ",[802,803,807],"a",{"href":804,"rel":805},"https://mudderfracas.com/",[806],"nofollow","Mudder Fracas",", a podcast we're proud to support as an official partner.",[798,810,811,812,815,816,821,822,827,828,833],{},"This time, ",[802,813,782],{"href":783,"rel":814},[806]," is joined by ",[802,817,820],{"href":818,"rel":819},"https://www.linkedin.com/in/pengchenke/",[806],"Peng Chen",", co-founder and CEO of ",[802,823,826],{"href":824,"rel":825},"https://hustlesasa.com/",[806],"HustleSasa",", a company building ticketing, payments, marketing, data and other infrastructure for live entertainment across Africa. The company is also backed by ",[802,829,832],{"href":830,"rel":831},"https://bestnights.vc/",[806],"Best Nights VC",", the venture capital arm of Jägermeister focused on the future of nightlife and live entertainment.",[798,835,836],{},"Born in China, raised in the United States and now based in Nairobi, Peng describes himself as a two-time immigrant. His journey has taken him through consulting, emerging markets, Rocket Internet and Easy Taxi before leading him to build businesses across entertainment, technology and culture in Africa.",[798,838,839],{},"The conversation explores what it actually takes to build a live entertainment economy in markets where much of the infrastructure is still developing, from ticketing and touring to MMA, creative industries and the future of live experiences in the age of generative AI.",[841,842,844],"h2",{"id":843},"a-few-topics-from-the-episode","A few topics from the episode",[846,847,848,852,855,858,861,864,867],"ul",{},[849,850,851],"li",{},"Why streaming numbers don't necessarily translate into ticket buyers",[849,853,854],{},"The challenges of touring across African markets",[849,856,857],{},"Why live experiences may become even more valuable in the age of generative AI",[849,859,860],{},"Why HustleSasa decided to build its own MMA promotion",[849,862,863],{},"Building infrastructure while helping create the market itself",[849,865,866],{},"Entrepreneurship, immigration, identity, and making Africa home",[849,868,869],{},"Peng's ambition to reach 18 African cities across 18 markets by 2030",[841,871,873],{"id":872},"watch-on-youtube","Watch on YouTube",[875,876],"iframe",{"width":877,"height":878,"src":879,"title":880,"frameBorder":881,"allow":882,"referrerPolicy":883,"allowFullScreen":884},560,315,"https://www.youtube.com/embed/Ueyvc8oRHiE?si=hJfhAXJw5tBf22CA","YouTube video player","0","accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share","strict-origin-when-cross-origin",true,[841,886,888],{"id":887},"listen-on-spotify","Listen on Spotify",[875,890],{"dataTestid":891,"style":892,"src":893,"width":894,"height":895,"frameBorder":881,"allowFullScreen":884,"allow":896,"loading":897},"embed-iframe","border-radius:12px","https://open.spotify.com/embed/episode/66or5nWbOAiy6p5mrW9d4b/video?utm_source=generator&si=2cc249b0639b4254",624,351,"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture","lazy",[841,899,901],{"id":900},"about-mudder-fracas","About Mudder Fracas",[798,903,904],{},"Mudder Fracas explores the people, ideas, and technology shaping the future of the creative industries. As a podcast partner, we're excited to help bring these conversations to more founders, builders, and creators.",[798,906,907],{},"Enjoy the episode. More conversations are on the way.",{"title":909,"searchDepth":910,"depth":910,"links":911},"",2,[912,913,914,915],{"id":843,"depth":910,"text":844},{"id":872,"depth":910,"text":873},{"id":887,"depth":910,"text":888},{"id":900,"depth":910,"text":901},"newsletter",null,"2026-08-31T00:00:00.000Z","Recommended podcasts, interviews, and expert conversations covering music technology, the creative industries, AI, product development, and the future of entertainment.","md",33,{"src":923},"/images/blog/mudder-fracas-ep007-1.webp",{},{"title":337,"description":919},[927,928,929,930,931,932,933],"podcast","musictech","live entertainment","Africa","ticketing","creative industries","entrepreneurship","JinAXsLQu8llCdF0gZg-ctRumFNjaNSgOhHqBGeQ2io",[936,937],{"title":333,"path":334,"stem":335,"description":919,"children":-1},{"title":341,"path":342,"stem":343,"description":919,"children":-1},[939,1046,1152,1361],{"id":940,"title":213,"authors":941,"badge":947,"body":948,"category":916,"client":917,"date":1032,"description":919,"extension":920,"faq":917,"featured":884,"featuredOrder":921,"hidden":69,"image":1033,"keyTakeaways":917,"meta":1035,"navigation":884,"path":214,"seo":1036,"status":917,"stem":215,"tags":1037,"teaser":917,"__hash__":1044,"score":1045},"posts/blog/newsletter/audio-products-podcast-maciej-dulski.md",[942],{"name":943,"to":944,"avatar":945},"Anna Binkiewicz","https://www.linkedin.com/in/anna-binkiewicz/",{"src":946},"/images/people/anna-binkiewicz-400-400.webp",{"label":787,"color":788},{"type":790,"value":949,"toc":1026},[950,954,969,972,975,977,994,996,999,1001,1006,1010,1023],[793,951,953],{"id":952},"maciej-dulski-on-audio-products-podcast","Maciej Dulski on Audio Products Podcast",[798,955,956,957,962,963,968],{},"Our co-founder Maciej Dulski talked with ",[802,958,961],{"href":959,"rel":960},"https://www.linkedin.com/in/wojciechozimek/",[806],"Wojciech Ozimek"," on the ",[802,964,967],{"href":965,"rel":966},"https://audioproductacademy.com/podcast/",[806],"Audio Products Podcast",".",[798,970,971],{},"If you're not familiar with the show, Wojciech chats with founders and product leaders about how tech, AI, and product strategy actually shape modern digital products.",[798,973,974],{},"They ended up covering a lot of ground—from why tracking content provenance matters way more than just detecting AI, to how messy, fragmented metadata is directly holding back artist payouts. Maciej also shared a behind-the-scenes look at how we approach software and AI at MusicTech Lab, plus his honest take on what separates music-tech startups that actually get traction from the ones that get stuck as cool demos.",[841,976,844],{"id":843},[846,978,979,982,985,988,991],{},[849,980,981],{},"Why content provenance is replacing AI detection as a core challenge",[849,983,984],{},"How software can solve fragmented metadata and stuck royalty flows",[849,986,987],{},"What separates music-tech startups with real traction from mere demos",[849,989,990],{},"How to approach fundraising and pitching as a music-tech founder",[849,992,993],{},"Why generalist investors matter and why \"music-tech\" isn't a moat on its own",[841,995,873],{"id":872},[875,997],{"width":877,"height":878,"src":998,"title":880,"frameBorder":881,"allow":882,"referrerPolicy":883,"allowFullScreen":884},"https://www.youtube.com/embed/rlb-lwOE700?si=h4YvBOLPRvchoxUi",[841,1000,888],{"id":887},[875,1002],{"dataTestid":891,"style":892,"src":1003,"width":1004,"height":1005,"frameBorder":881,"allowFullScreen":884,"allow":896,"loading":897},"https://open.spotify.com/embed/episode/7cNA9NYy9ZQ9SvIU1XvcoO?utm_source=generator&theme=0&si=a403a9c2b5384f34","100%",352,[841,1007,1009],{"id":1008},"listen-on-apple-podcasts","Listen on Apple Podcasts",[875,1011],{"allow":1012,"frameBorder":881,"height":1013,"style":1014,"sandbox":1015,"src":1022},"autoplay *; encrypted-media *; fullscreen *; clipboard-write",175,"width:100%;max-width:660px;overflow:hidden;border-radius:10px;",[1016,1017,1018,1019,1020,1021],"allow-forms","allow-popups","allow-same-origin","allow-scripts","allow-storage-access-by-user-activation","allow-top-navigation-by-user-activation","https://embed.podcasts.apple.com/us/podcast/35-what-musictech-can-solve-and-what-it-cant/id1819468904?i=1000779732863",[798,1024,1025],{},"Enjoy the episode.",{"title":909,"searchDepth":910,"depth":910,"links":1027},[1028,1029,1030,1031],{"id":843,"depth":910,"text":844},{"id":872,"depth":910,"text":873},{"id":887,"depth":910,"text":888},{"id":1008,"depth":910,"text":1009},"2026-08-03T00:00:00.000Z",{"src":1034},"/images/blog/audio-product-podcast-maciej-dulski.webp",{},{"title":213,"description":919},[927,928,1038,1039,1040,1041,1042,1043],"provenance","metadata","ai","musicdata","startups","fundraising","2x4PMHHMmHU6Fo7zs-3ycmdhx9qfkTF-XiCAbtspxD8",4,{"id":1047,"title":333,"authors":1048,"badge":1051,"body":1052,"category":916,"client":917,"date":1141,"description":919,"extension":920,"faq":917,"featured":884,"featuredOrder":921,"hidden":69,"image":1142,"keyTakeaways":917,"meta":1144,"navigation":884,"path":334,"seo":1145,"status":917,"stem":335,"tags":1146,"teaser":917,"__hash__":1151,"score":1045},"posts/blog/newsletter/musictech-insights-mudder-fracas-podcast-006.md",[1049],{"name":782,"to":783,"avatar":1050},{"src":785},{"label":787,"color":788},{"type":790,"value":1053,"toc":1136},[1054,1058,1063,1097,1100,1102,1122,1124,1127,1129,1132,1134],[793,1055,1057],{"id":1056},"mudder-fracas-podcast-ep006","Mudder Fracas PODCAST EP006",[798,1059,800,1060,808],{},[802,1061,807],{"href":804,"rel":1062},[806],[798,1064,811,1065,815,1068,1073,1074,1079,1080,1073,1085,1090,1091,1096],{},[802,1066,782],{"href":783,"rel":1067},[806],[802,1069,1072],{"href":1070,"rel":1071},"https://www.linkedin.com/in/emily-gurland-118188106/",[806],"Emily Gurland",", founder of ",[802,1075,1078],{"href":1076,"rel":1077},"https://aevision.nyc/",[806],"AE Vision"," and DJ, and ",[802,1081,1084],{"href":1082,"rel":1083},"https://www.linkedin.com/in/george-ilias-ath/",[806],"George Ilias",[802,1086,1089],{"href":1087,"rel":1088},"https://crates.app/",[806],"Crates.app",". Later in the conversation, they're joined by ",[802,1092,1095],{"href":1093,"rel":1094},"https://www.linkedin.com/in/stathis-kalatzis?originalSubdomain=gr",[806],"Stathis Kalatzis",", music curator, DJ, and creative industry veteran.",[798,1098,1099],{},"Recorded during Panathēnea 2026 in Athens, the discussion starts with creativity and technology but quickly expands into a broader conversation about AI, culture, music, ownership, and the relationship between artists and technologists.",[841,1101,844],{"id":843},[846,1103,1104,1107,1110,1113,1116,1119],{},[849,1105,1106],{},"Can AI generate creativity, or only imitate it?",[849,1108,1109],{},"Why artists and technologists need each other more than ever",[849,1111,1112],{},"Music ownership, platforms, and closed ecosystems",[849,1114,1115],{},"The role of aesthetics, culture, and spirituality in creative work",[849,1117,1118],{},"What happens when efficiency starts outweighing culture",[849,1120,1121],{},"The Panathēnea artist boycott and the role of creative protest",[841,1123,873],{"id":872},[875,1125],{"width":877,"height":878,"src":1126,"title":880,"frameBorder":881,"allow":882,"referrerPolicy":883,"allowFullScreen":884},"https://www.youtube.com/embed/iR_xeRR6UWA?si=4hbEz9O7mWF2iEK0",[841,1128,888],{"id":887},[875,1130],{"dataTestid":891,"style":892,"src":1131,"width":894,"height":895,"frameBorder":881,"allowFullScreen":884,"allow":896,"loading":897},"https://open.spotify.com/embed/episode/3odelF4lRoqbyNIjZhdTVp/video?utm_source=generator&theme=0&si=44287738335b48b3",[798,1133,904],{},[798,1135,907],{},{"title":909,"searchDepth":910,"depth":910,"links":1137},[1138,1139,1140],{"id":843,"depth":910,"text":844},{"id":872,"depth":910,"text":873},{"id":887,"depth":910,"text":888},"2026-07-30T00:00:00.000Z",{"src":1143},"/images/blog/mudder-fracas-culture-whats-next.webp",{},{"title":333,"description":919},[927,928,1147,1148,1149,1150],"AI","music ownership","creator economy","culture","Zn2T6yLk7KtjrrXJdW8wu-_OX7KgK2qGnLhvqU8rMtU",{"id":1153,"title":289,"authors":1154,"badge":1160,"body":1163,"category":916,"client":917,"date":1348,"description":1349,"extension":920,"faq":917,"featured":884,"featuredOrder":1350,"hidden":69,"image":1351,"keyTakeaways":917,"meta":1353,"navigation":884,"path":290,"seo":1354,"status":917,"stem":291,"tags":1355,"teaser":917,"__hash__":1360,"score":1045},"posts/blog/newsletter/musictech-insights-13-garry-yankson.md",[1155],{"name":1156,"to":1157,"avatar":1158},"Garry Yankson","https://www.linkedin.com/in/garry-yankson-with-love-from-g/",{"src":1159},"/images/partners/musictechlab-partners-garry-yankson.webp",{"label":1161,"color":1162},"#13","#6B9B37",{"type":790,"value":1164,"toc":1339},[1165,1169,1176,1190,1193,1196,1202,1207,1212,1217,1222,1227,1236,1241,1249,1251,1256,1265,1268,1275,1277,1281,1284,1291,1297,1299,1303,1306,1313,1319,1321,1325,1328,1331,1337],[793,1166,1168],{"id":1167},"musictech-insights-13-curated-by-garry-yankson","MusicTech Insights #13 | Curated by Garry Yankson",[798,1170,1171,1172,1175],{},"This issue is guest curated by ",[802,1173,1156],{"href":1157,"rel":1174},[806],", who is a creative entrepreneur and business advisor working at the intersection of music, film, technology, branding, and the cultural & creative industries. Over the past 15+ years, he has helped more than 200 founders, artists, and creative ventures with business development, fundraising, international growth, and go-to-market strategy.",[798,1177,1178,1179,1184,1185,968],{},"Today, his work focuses on helping creative entrepreneurs build stronger business models through ",[802,1180,1183],{"href":1181,"rel":1182},"https://www.garryyankson.com/",[806],"WLFG Blueprint"," while developing IP-driven projects at ",[802,1186,1189],{"href":1187,"rel":1188},"https://www.proplydproductions.com/",[806],"Proplyd Productions",[1191,1192],"hr",{},[841,1194,289],{"id":1195},"fundraising-wont-save-a-weak-business-model",[798,1197,1198],{},[1199,1200,1201],"em",{},"Hi, I'm Garry.",[798,1203,1204],{},[1199,1205,1206],{},"I spend most of my time with creative founders, artists, and startups who are trying to enter new markets, raise money, or sell assets. Go-to-market, exits, grants, venture capital, strategic partnerships—different paths, but always the same question: what are we actually financing?",[798,1208,1209],{},[1199,1210,1211],{},"In the creative industries, we often fall in love with the vision first. The story, the artist, the technology. I love that. It’s why I do this work.",[798,1213,1214],{},[1199,1215,1216],{},"But fundraising should never be used to hide an unclear business model.",[798,1218,1219],{},[1199,1220,1221],{},"A good raise accelerates something that already makes strategic sense. It helps a team move faster, secure rights, or prove a repeatable model. A bad raise only buys more time for confusion. Especially in MusicTech, founders must be precise. Where does the real value sit—in the data, the rights, the workflows, the catalogue, or the brand?",[798,1223,1224],{},[1199,1225,1226],{},"The strongest creative companies are not the ones with the most beautiful deck. They are the ones that connect cultural relevance with execution discipline.",[798,1228,1229],{},[1199,1230,1231,1232,1235],{},"That is also why I’m building ",[802,1233,1183],{"href":1181,"rel":1234},[806],"—an online program designed to help artists and creative founders structure their projects to maximize results. Because in this industry, we don’t need less ambition. We need better architecture.",[798,1237,1238],{},[1199,1239,1240],{},"Vision is the spark. Business model is the heart. Execution is the lifestyle. Do not raise money to avoid hard questions. Raise money when those questions have made your model sharper.",[798,1242,1243,1246],{},[1199,1244,1245],{},"With love,",[1199,1247,1248],{},"G.",[1191,1250],{},[1252,1253,1255],"h3",{"id":1254},"ifpi-global-music-report-2026","IFPI: Global Music Report 2026",[798,1257,1258,1259,1264],{},"Global recorded music revenues grew 6.4% in 2025 to reach US$31.7 billion, according to ",[802,1260,1263],{"href":1261,"rel":1262},"https://www.ifpi.org/",[806],"IFPI",". For founders, this is useful context: the market is still growing, but growth alone does not guarantee startup success. The real question is where your business model captures value.",[798,1266,1267],{},"For me, this is exactly why CCI (Cultural and Creative Industries) founders need to understand market structure, not just creative opportunities.",[798,1269,1270],{},[802,1271,1274],{"href":1272,"rel":1273},"https://www.ifpi.org/global-music-report-2026-global-recorded-music-revenues-grow-6-4-as-record-companies-drive-innovation/",[806],"Learn more",[1191,1276],{},[1252,1278,1280],{"id":1279},"music-as-an-asset-class","Music as an Asset Class",[798,1282,1283],{},"The paper by Sasha Stoikov, Aadityaa Singla, Umu Cetin, and Luis Alonso Cendra Villalobos, explores music royalty assets through a financial lens and compares certain long-term royalty assets to traditional investment classes. Whether or not every founder agrees with the framing, it shows something important: music is increasingly analysed as infrastructure, cash flow and asset strategy.",[798,1285,1286,1287,1290],{},"This is exactly why I believe that Creative Tech and Music Tech can evolve toward new forms more diversified than SaaS. And this is why my current personal venture, ",[802,1288,1189],{"href":1187,"rel":1289},[806]," is all about creative assets while including tech in workflows.",[798,1292,1293],{},[802,1294,1274],{"href":1295,"rel":1296},"https://arxiv.org/abs/2602.05007",[806],[1191,1298],{},[1252,1300,1302],{"id":1301},"the-creator-economy-midia-research","The Creator Economy: MIDiA Research",[798,1304,1305],{},"MIDiA Research creator economy work is useful because it frames creators as independent producers of content, goods and services. For MusicTech founders, this matters: many tools claim to “help creators”, but the best ones understand how creators actually monetise, work, distribute and build leverage.",[798,1307,1308,1309,1312],{},"This is one of the core audiences I’m building ",[802,1310,1183],{"href":1181,"rel":1311},[806]," for.",[798,1314,1315],{},[802,1316,1274],{"href":1317,"rel":1318},"https://www.midiaresearch.com/the-creator-economy",[806],[1191,1320],{},[1252,1322,1324],{"id":1323},"ai-slop-in-music-streaming","AI slop in music streaming",[798,1326,1327],{},"This research by Stanley Wu, Josephine Passananti, Viresh Mittal, Wenxin Ding, Haitao Zheng, Ben Y. Zhao, on AI-generated \"slop\" in music streaming raises a critical issue for MusicTech: lower creation costs do not automatically create value. If the market is flooded with low-intent content, trust, curation, provenance, and rights clarity become even more valuable.",[798,1329,1330],{},"How can we improve content identification, ensure fair compensation, and better protect musical works and creators? These will be some of the biggest challenges as generative AI continues to reshape the music industry.",[798,1332,1333],{},[802,1334,1274],{"href":1335,"rel":1336},"https://arxiv.org/abs/2606.18052",[806],[1191,1338],{},{"title":909,"searchDepth":910,"depth":910,"links":1340},[1341],{"id":1195,"depth":910,"text":289,"children":1342},[1343,1345,1346,1347],{"id":1254,"depth":1344,"text":1255},3,{"id":1279,"depth":1344,"text":1280},{"id":1301,"depth":1344,"text":1302},{"id":1323,"depth":1344,"text":1324},"2026-07-13T00:00:00.000Z","Handpicked articles, updates, and insights from the fast-moving world of music and entertainment technology, curated just for you.",32,{"src":1352},"/images/blog/musictechlab-blog-musictech-insights-13-garry-yankson.webp",{},{"title":289,"description":1349},[916,928,932,1356,1357,1358,1359],"impact projects","coaching","consulting","training","yQXmDClJfbGwx1IPbZ5dxsfRFbMGRSp7WrGbmlkUZZE",{"id":1362,"title":341,"authors":1363,"badge":1366,"body":1367,"category":916,"client":917,"date":1421,"description":919,"extension":920,"faq":917,"featured":884,"featuredOrder":1422,"hidden":69,"image":1423,"keyTakeaways":917,"meta":1425,"navigation":884,"path":342,"seo":1426,"status":917,"stem":343,"tags":1428,"teaser":917,"__hash__":1432,"score":1045},"posts/blog/newsletter/musictech-insights-mudder-fracas-who-actually-owns-fenty.md",[1364],{"name":782,"to":783,"avatar":1365},{"src":785},{"label":787,"color":788},{"type":790,"value":1368,"toc":1416},[1369,1373,1379,1386,1388,1405,1407,1410,1412,1414],[793,1370,1372],{"id":1371},"mudder-fracas-solopod","Mudder Fracas SOLOPOD",[798,1374,1375,1376,808],{},"We're happy to share another episode of ",[802,1377,807],{"href":804,"rel":1378},[806],[798,1380,1381,1382,1385],{},"In this solo episode, ",[802,1383,782],{"href":783,"rel":1384},[806]," unpacks the reported changes around Fenty Beauty's ownership. Rather than focusing on the headlines, he looks back at the original 2017 deal between Rihanna and LVMH, who owns what today, and why the next move could reshape one of the world's biggest creator-led brands.",[841,1387,844],{"id":843},[846,1389,1390,1393,1396,1399,1402],{},[849,1391,1392],{},"The original structure of the Rihanna–LVMH partnership",[849,1394,1395],{},"Why reports about Fenty Beauty's ownership are often misleading",[849,1397,1398],{},"The potential role of Jay-Z's Marcy Venture Partners",[849,1400,1401],{},"What a Rihanna-led ownership structure could mean for the brand",[849,1403,1404],{},"Lessons from one of the most successful creator-business partnerships",[841,1406,873],{"id":872},[875,1408],{"width":877,"height":878,"src":1409,"title":880,"frameBorder":881,"allow":882,"referrerPolicy":883,"allowFullScreen":884},"https://www.youtube.com/embed/apS39cAL5hk?si=5XFZg8tgMUgnRG5N",[841,1411,901],{"id":900},[798,1413,904],{},[798,1415,907],{},{"title":909,"searchDepth":910,"depth":910,"links":1417},[1418,1419,1420],{"id":843,"depth":910,"text":844},{"id":872,"depth":910,"text":873},{"id":900,"depth":910,"text":901},"2026-06-30T00:00:00.000Z",34,{"src":1424},"/images/blog/mudder-fracas-who-actually-owns-fenty.webp",{},{"title":1427,"description":919},"Who Actually Owns Fenty?",[927,928,1147,1429,1430,1431],"Content Creation","Creator Economy","Data & Analytics","-XKmXBqJt85AXCFoDht5PWj-_sPkVSp4HI8taN7FsjU",1788180922601]